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Concurrents

A Collective Community Exhibition with Chuah Shu Ruei 856 G Gallery, Mandaue City, Philippines Malaysian contemporary artist Chuah Shu Ruei holds a participative community art project that is an extension of her series of paper collages called ‘Dunia’ (The World), which dwells on themes of interconnection, dichotomies, perspectives, boundaries, transcendence, and change. The project intends to incorporate traditional heritage into contemporary art.

Funny and Feminist: Performing the Comic Anti-Hero

Tania Smith 30 September 2016 @ Ateneo Art Gallery, Ateneo de Manila University, Quezon City 5 October 2016 @ SAFAD Lecture Theater, University of San Carlos, Cebu City 10 October 2016 @ Orange Gallery, Bacolod City

Looking for Action: Performance, Video and Direct Art in Cebu

by Paul Grant In 1991, Alice Guillermo, the respected Manila-based art critic published a much-needed history of Cebuano art entitled Cebu: A Heritage of Art [1]. Guillermo eloquently expounded on works created in Cebu, from church ceilings to what she referred to as the then contemporary "crop" of artists. While the work is a laudatory, necessary and insightful effort, one might be struck by certain gaps, not in the history she recounts, nor in the group of artists whom she celebrates, but rather more generally in the very concept of art described: in large part what we encounter in this avowed heritage is painting. The resultant picture is of an artistic tradition touched by certain realist schools, folk art, tendencies in art brut, and a fair amount of portraiture and landscape.

On Squatting: DIY in Third World Space

by Nomar Bayog Miano The totalizing eye imagined by the painters of earlier times lives on in our achievements. The same scopic drive haunts users of architectural productions by materializing today the utopia that yesterday was only painted. Michel de Certeau – The Practice of Everyday Life

On Tactics: Women, Art, and Pedagogy

by Ivy Marie Apa On Pedagogy as Art Eighteenth-century Enlightenment has enacted changes in the way, Western societies value artistic productions.

Street Art Tradition

by Nomar Bayog Miano Art criticism has a tendency to couch valuations of art in a historical mold. This tendency pushes certain elements or features of artistic traditions to the margins of discourse.

TADLAS Art Theory Talks

2PM – 5PM Creative Hub Gallery, SAFAD University of San Carlos, Cebu

Womankind

Qube Gallery, Cebu City, Philippines Womankind explores the narratives that determine the locus of women artists in the domestic and the public. Four local visual artists—Gigi Ocampo, Golda King, Ivy Marie Apa, and Grace Marie Lopez